I am writing today from the world city of London.

Through the International Security Assistance Forces AFPAK Hands program, detailed in my previous post, we have learned that much of the efforts towards Afghan media, on the part of ISAF and the international community, are directed towards the Afghan media who have the largest audience. Much of this feedback was received from media outlets themselves. However, there are many other media outlets who communicate to specific audiences.

In his book, The Al Jazeera Effect, Philip Seib states that “Al Jazeera is a paradigm of new media’s influence,” similar to the way CNN had been the first to influence foreign policy throughout the world. Al Jazeera, Seib writes, goes further by using new media as a tool that ranges from democratization to terrorism, in addition to creating ‘virtual states’.

A new study by the Pew Global Attitudes Project poses the question: Does humanitarian relief improve America’s image. The answer is “not much,” or “not as much as one might hope.” While this may seem unfair, given that the United States spends some $4 billion annually on humanitarian relief, it is perhaps not surprising.

In a world where attention scarcity has displaced access as the new information problematic, how do you get your issue noticed? This is precisely the question that confronted Invisible Children, the international NGO that produced the viral online video “Kony 2012.” Since its release on March 5, it has been nothing short of a sensation: within two days YouTube tallied over 11 million viewings. That number tripled by the following afternoon and presently – four days after release – the number exceeds 52 million.

When Iranian filmmaker Asghar Farhadi took the stage to accept the Oscar for A Separation, he spoke of his film as a counter narrative to talk of war and offer a view of Iran “through her glorious culture, a rich and ancient culture that has been hidden under the heavy dust of politics.” During times of escalating political rhetoric, films can help shape and, as Farhadi hopes, reshape national images. For public diplomacy, the Oscars offer lessons not only in culture, but in the persuasive power of storytelling.

Two decades of economic liberalization ushered in significant changes to India’s business landscape. One important change has been the development of competitive capabilities of Indian companies and the increase in business, professional, and personal exchanges with global businesses, workforces, and ideas. This development has significant implications on India’s soft power projection.

This year's Oscar for the best foreign film went to Iran, a country which is grappling with a tense international environment because of its nuclear program. Despite its small budget, A Separation has come to generate a considerable amount of discussion both inside Iran and abroad. One debate, always important to Iranians, is about the contribution of such movies to the Iranian image.