A podcast delves into the rise of Chinese cinema and its dual aim at home and abroad.
India is aiming to unleash a reel-world charm offensive to turn its superpower dreams into reality and the first act will be set in the resort town of Cannes on the French Riviera. Sources say the Narendra Modi government would unveil its strategy on the red carpet at the upcoming 70th edition of the annual Festival de Cannes next month.
“Bollywood is no longer Hollywood’s poor cousin. Bollywood is no longer just a convenient nomenclature devised by unimaginative folks. Bollywood cinema is one of the strongest global cultural ambassadors of a new India. And India is on its way to becoming a global soft power to reckon with,” Swaminathan contends in the book.
Filmmaker Roger Sherman explores the multiculturalism of Israeli food in his new documentary.
CineAsia is upon us already, the last major cinema conference of the year and a time to take stock. This show has taken on new significance in recent years as it highlights the growth of Asia as a film market and the increasing importance of the region to global cinema. The Asia-Pacific region will account for 40.4% of global box office in 2016.
Beyond the act and acting - technical, aesthetic and cinematographic crescendos, Queen of Katwe presents opportunities and suggests ideas that the country can tap into to develop a robust creative industry, rebrand the national image, diversify opportunities for citizenry, and inspire new talent in different fields of the economy.
Young Iranians today have more access to American cultural products than ever before [...] In his new book, After the American Century: The Ends of U.S. Culture in the Middle East, Brian Edwards writes how popular, cinema, literary, digital, and academic culture from the U.S. reaches North Africa and the Middle East, is stripped of its Americanness, and is recontextualized in a different light.