film diplomacy

When I give my course, "Propaganda and US Foreign Policy" (1) -- a historical overview of the subject -- I like to invite the class for a modest buffet dinner chez moi. The last time this get-together took place, it included a screening of Leni Riefenstahl's Triumph of the Will (1935), a film -- considered by some a propaganda classic -- that celebrates the 1934 Nazi Party Congress in Nuremberg. As the students ate their dessert, I turned on the DVD, and the Nazi director's troubling yet spectacular black-and-white images appeared.

Since the events of September 11, 2001 the foreign policy establishment of Washington has exhausted much energy debating America's public diplomacy efforts. I've watched this debate with interest because I work on a contract basis for State Department public diplomacy programs. I have also tried to create private sector public diplomacy projects. I've traveled with foreign journalists, politicians, and other notable figures all over the United States. You might say that I'm a "foot soldier" in the public diplomacy battle.

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