Japan’s consul general in New York provided a warm send-off Friday for the area’s new recruits to the Japan Exchange and Teaching Programme as the government project for globalization enters its 30th year. “The JET Programme is a major asset to both Japan and the United States,” Ambassador Reiichiro Takahashi said.

Foreign aid is a key instrument of international engagement in Japan’s foreign policy toolkit. Although Tokyo is no longer the world’s top aid donor that it once was in the 1990s, it still was the world’s number four aid donor in 2015 with close to a US$10 billion annual budget. It is not just the size of the aid budget that has changed. So has Tokyo’s thinking behind foreign aid.

The annual J-Pop Summit, hosted by Superfrog Project, will be held from July 22 to 24. This Japanese cultural festival has been held in San Francisco every summer since 2009. By introducing the latest in Japanese music, fashion, film, art, games, tech-innovations, anime, and food, as well as niche subcultures, the festival has become a landing platform for new trends from Japan. 

Two towns separated by two continents have spent a weekend celebrating their rock-solid archaeological bond. Thetford and Nagawa, Japan have common ground in their historic use of flint and obsidian. Now representatives from Norfolk and Japan have commemorated the towns’ bond with the world’s first twinning of archaeological sites.

Kawaii has been embraced by the Japanese government as one of its main cultural exports and the linchpin of its “soft power” strategy.

Yasuo Fukuda, former Japanese Prime Minister, said that the relationship between China and Japan, as well as the status of world affairs nowadays, were different from Sun's days, but "Sun's ideals, including the one that Asian countries should cooperate together, are not outdated, and should become guidelines for Asian countries to deal with their relations."

Media can only become regional or global in a broadcasting regime that enables content to move freely beyond national borders. Regional broadcasting, which was restricted in the 1980s in Japan, South Korea and Taiwan, now allows for the legitimate transfer of content across national borders. Within this framework, Japanese interaction with its East Asian neighbours can be viewed from two perspectives: politics and popular culture. The two are not mutually exclusive, but are driven by different forces.